Pinotpoetry article 

Wine: It’s a Revolution – Viva ‘The Good Things in Life’

The Wine Philosopher Back on Home Soil – Grapegrower Winemaker Magazine August 2015

Wild Tomato July 2015

Back to the Future – The James Halliday Wine Magazine April/May 2015

Cellaring Pinot – Gourmet Traveller Wine May 2014

For & Against – The James Halliday Wine Magazine Jun/July 2012

The Magic of Old Wine – The Australian and New Zealand Wine Industry Journal 



“It’s going to rattle some cages.” Mike Bennie,

“There’s an argument to say, in a hand-of-man influence way, that removing the skins you’ve kind of already fined your white wine, you’ve removed the guts…”, offers winemaker Michael Glover, “… The wine gods have given New Zealand sauvignon blanc, and not many have explored it. Not many have gone down this path.  This is almost a political thing I am doing in NZ, right down to pricing, with costs the same as pinot noir, it should be respected the same way”. Amen. It’s going to rattle some cages. Great volume of wild, fascinating scent. Leads with pepper, cumin, green herbs, preserved citrus. Smoky and flinty elements wrapped through just juicy then firm chalky texture. It’s incredibly lengthy in flavour, coiled and relentless in its layers. Fascinating and delicious, is the take home. Highly varietal yet so much more. This would be a gourmand’s best friend – the reach would be epic with so many dishes. Exciting.”  93+ points, Mike Bennie,

“A multi-layered wine that has waxy, dried meadow flowers on the nose with great fragrance. A little flint and spice come into play before this heads into stone-fruit territory and delivers plenty of citrus flavors and a complete, layered and smoothly rendered palate. Lots of glycerol and lots of flavor. A great wine. Drink now to 2020.” 95 points, #25 Top 50 New Zealand Wines of 2016, James Suckling, Dec 16,

Bibendum Wine Co: You say you want a revolution?

Firstly, we agree with Mike Bennie. This wine is bound to ‘rattle some cages’. But let’s face it, when it comes to New Zealand Sauvignon Blanc there are plenty of cages in need of rattling. There’s a long version, and an even longer version of this story. For those interested, I recommend you read Michael Glover’s passionate account of his journey and thinking behind his white opus (link below). The short story is that here we are looking at the latest instalment of Glover’s maverick white, a wine expression that took root, many moons ago, during a stage with Bruno De Conciliis in Campania, and then continually honed during Glover’s Bannockburn years. It’s an organic 100% ‘carbonic’ Sauvignon Blanc called Mammoth ‘Rare White’, cropped from a dry grown vineyard in the Waimea Plains outside Nelson. Glover says, “I want the Rare White to be a serious white wine first… a New Zealand wine second and a Sauvignon Blanc third,” says Michael. We think he’s got the order pretty much spot on.

There’s a lot to report here but let’s say upfront that this is a unique, textural and complex wine of place that has the potential to redefine New Zealand Sauvignon Blanc. In fact it has more in common with the wines of Didier Dagueneau than it does with the stereotype of NZ.

This maverick New Zealand white is drawn a single vineyard called Davey’s Lease that was planted in 2000 on the Waimea Plains. The soils are the brown ‘orthic’ river gravels that are common across New Zealand. The common belief is that these soils must be irrigated due to their free draining nature. “I have always questioned this and have believed that they could be dry grown but you would need to sacrifice yield in order to do this,” says Michael. “We [at Mahana] have proven this to be the case.” So, today, this dry grown parcel of Sauvignon, managed organically by the Mahana Vineyards team, yields around 1.5 kg/vine (around a quarter of those achieved per vine in most Marlborough Sauv Blanc vineyards). The fruit is picked by hand and whole bunches go into an 8 tonne concrete fermenter. Then, after two weeks of carbonic, the bunches are pressed and they finish their primary fermentation in a mix of Chassin coopered puncheons, Billon acacia hogsheads and Glover’s bespoke ‘Che Glovera’, cigar shaped barrels. These latter 200 litre vessels are elongated and increase the lees to wine ratio, which helps the winemaker in his quest to, ‘pursue texture and mouth-feel, which don’t necessarily come naturally to Sauvignon…’. The wine stays in these casks for a year without being touched before the lees are stirred back into suspension. Then the wines are blended into tank for a further 6 months on lees. So, in total the wines spent 18 months on lees. The wine is bottled, under stelvin, without being fined or filtered. Oh, and you’ll not find the words Sauvignon Blanc anywhere on the label, back or front. “The use of varietal nomenclature is similar to donning a straitjacket, like signing a contract agreeing to provide what the drinking customer knows and understands to be the ‘variety’”. So sayeth the Mammoth. The notes below capture the wine well. In our view it’s a wine that should not be served too cold (cellar temperature ideal) and that can also benefit from decanting. Above all, be prepared to be challenged!


Bibendum Wine Co

From a powerful year, Michael Glover has produced a heroic wine with his third Mammoth – a wine that is as savoury as it is deep and layered. See below for the details. In short, Mammoth 2015 is a structured, textural Pinot with a cracking mouthfeel and an abundance of fine tannins. It is clearly the most telling release from this producer to date.

Bottled under screwcap. Michael Glover’s Mammoth Pinot Noir is made using fruit from a small area of organically tended vines in the heavy clays of Moutere, NZ. The vines were planted in 2004 with clone 5, known less prosaically as ‘the Pommard clone’. The vineyard is dry grown and gained its organic certification in 2011. The gravel studded clay of this terroir is low in fertility but has the advantage of retaining enough moisture through the summer months to avoid the need for supplementary irrigation. This clay is also instrumental in building the tannic backbone evident in some of the better Moutere Pinot Noirs.

The winemaking follows that of previous releases (i.e. natural ferments and 100% whole bunches), although this year, in response to the season and to avoid excessive extraction, the wines had only 4 pigeage ‘events’, as Glover calls them. The wines also spent an additional 6 months in barrel; in total one year in 1/3 new Ana Sélection hogsheads (a super premium Tronçais barrel used by Nicole Lamarche and Arnaud Mortet for example) and then a further 12 months in older barriques. Glover felt this extra time in oak was important due to the power and abundant tannins in 2015.

Even with the minimal extraction, the Mammoth 2015 Pinot Noir is a dark and brooding Pinot with fabulous depth, power and length. There’s serious concentration but the wine remains bright and savoury with a certain bloody, sappy core (the latter more oak than stem derived) and an abundance of fine tannins. An absolutely brilliant expression of Pinot Noir from the Upper Moutere hills which will be even better with time in the bottle or now with the right food (MG rightly recommends rabbit).


“Michael is a deep thinker, one of the most perceptive, intelligent, considered yet rebellious winemakers. After 20-plus years making wine, he no longer accepts anything as given. He doesn’t simply question the status quo, he challenges it.”

Jane Faulkner, James Halliday Wine Companion Magazine April/May 2015


“…He is a one-off. A free spirit, a man who goes his own way. An eccentric perhaps, in a world of white-coated technocrats. Such people are quite rare, and are to be valued”.

Huon Hooke, ‘Hooked on Wine’ January 2015


“All we should do is marvel at the conjunction of terroir and individual winemaker brilliance to produce these wines which push the envelope as few others attempt to do, let alone succeed.”

James Halliday,


“Michael Glover is one of the most intelligent and questioning winemakers of Australia’s younger generation”

Andrew Jefford, The World of Fine Wine, issue 28, 2010


“MICHAEL GLOVER is my kind of winemaker. If it weren’t for people like him, I may not be writing about wine, not because I don’t love it – come on – but because thinking about wine 24/7 in a troubled world can sometimes seem … excessive. Michael Glover is an antidote to that uneasiness.He knows about the taste of wine and can back up what he believes with evidence in the glass…and I have a feeling that he may one day be looked upon in some circles as some kind of genius.(p190-191)”

Campbell Mattinson (2007), Why the French Hate Us: The Real Story of Australian Wine. Hardie Grant: Prahan, Vic. 


“…a year which marks the beginning of a beautiful metamorphosis for Michael Glover’s Pinots. Who said a leopard can’t change his spots? By picking later employing shorter macerations and switching to larger format barrels, it seems the deep-thinking Glover has managed to take Pinots to another level.

The use of ‘full stems’ plays its part in of all these wines, giving them perfume, spice and energy, yet the extra ripeness and shorter macerations have brought more colour, flesh and silky seductiveness.

It’s important to note that these wines will also appeal to long-term followers, the Gloveologists if you like. The classic, muscular structures and aromatic complexity et al are still very much at the core of these wines”

Nic Mogabahgab, Bibendum 2014